The Spectre (2020)
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Foreign Bodies (2025)
An 11.2 vertical speaker alignment is used to generate vibrations that travel- physically through the audience.
The spatial sound design moves like a haunted presence that can emerge- from any direction, creating the sensation of another dimension within the installation.
Dream Sequence (2024)
An 8.1 surround sound system deepens the cinematic experience by introducing layers that are not visible within the moving image.
Sound functions as a guiding presence, shaping perception and extending the- film beyond the visual frame.
Through spatial composition and subtle sonic detail, the work builds a metaphysical dimension that transforms the house into a site where history, memory, and imagination converge.
Archeology (2024)
A 2.1 sound system is installed unconventionally, with speakers directed- toward the wall to generate natural reverberation.
This displacement obscures the source of the sound and produces a diffused, ambiguous sonic field, extending the work into a lingering dreamlike state.
The Sense of Violence (2024)
A documentary directed by Kim Mooyoung, with music composed by Worramet Matutamtada.
The film premiered at the 29th Busan International Film Festival and was later- screened in the Forum section of the 64th Berlin International Film Festival in 2025.
Worramet Matutamtada is a composer and sound artist, whose practice moves through ambient music, spatial sound, and texture driven composition. His work focuses on embodied listening, approaching sound not as narrative accompaniment but as a physical condition that surrounds and presses against the body.